Plot compared to Character in Tragedy

 Plot vs Character in Tragedy Exploration Paper


Q. PLOT Compared to CHARACTER In Tragedy In his immortal creation Poetics Aristotle mentions half a dozen formative components of tragedy --- ‘Plot', ‘Character', ‘Thought', ‘Diction', ‘Spectacle' and ‘Song'. And among them ‘plot' gets the before attention and importance. Aristotle claims ‘plot' to be the spirit of misfortune. In his view character because secondary to the plot. This individual in his publication Poetics opines " Plan is the primary thing, the soul of tragedy, while character is secondary. ” [Chap—7]. It is only inside the context of describing suitable plot that Aristotle identifies character. Aristotle categorically declares that there might be a disaster without persona, but presently there can never be considered a tragedy with out plot. According to Aristotle, there are two kinds of plot---simple plot and complex story. In basic plot we find only ‘peripeteia' or the reversal of circumstance, and intricate plot displays both ‘peripeteia' and ‘Anagnorisis' or the abrupt discovery. Besides these key two, ' plot' could be based on displays of sufferings. An ideal plan is one that arouses shame and dread and results in the outlet of emotions. Nevertheless the suffering coming from all characters are not able to arouse pity and fear. If the tragic hero is known as a thoroughly bad man, his sufferings will not arouse the required tragic thoughts. And if the tragic main character is a carefully good man, his sufferings will impact us. Hence the arousal of pity and terror demands the information of a individual that is nor very very good nor very bad. The ideal character could be a person of intermediate type. Thus, persona is subordinated to story. Tragedy describes actions, and never character; is it doesn't plot which reveals the character. In the traditional tragedies of Greece emphasis is certainly laid on story. Sophocles' Full Oedipus, Aeschylus's Agamemnon or perhaps Euripides's Medea is really plot-oriented.

But also in modern or social tragedies, character can be closely assimilated with the circumstances of life—with...

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